Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London
Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London

Antique Huguenot Silk Brocade with Architectural Elements and Dogs: C18th Spitalfields, London

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A rare 18th-century Huguenot Spitalfields brocaded silk, features an elaborate, repeating pattern typical of European luxury textiles from the Rococo or early Neoclassical eras.

The repeating pattern features a small, open stone rotunda or classical pavilion nestled in greenery. This strongly reflects the Chinoiserie and pastoral landscaping trends popular in French and British textiles during the 1700s.

The complex woven structure uses fine silk threads to create highly detailed, multidimensional shading within the floral elements, giving the flat textile the depth of a painting.

A stylized hunting dog or hound standing at attention on a rocky outcrop, symbolizing the rural sporting life of the British gentry.

The lower section of each repeat is filled with large, shaded botanical blossoms, heavily influenced by the naturalistic patterns produced by master Spitalfields designers like Anna Maria Garthwaite.

The image displays multiple vertical panels carefully pieced together. During the Georgian era, master Huguenot weavers wove silk on narrow drawlooms, producing widths typically ranging from 45 to 53 cm (18 to 21 inches).
Because this fabric was incredibly costly, every scrap was preserved. Large configurations like this were often meticulously unpicked from formal open-back gowns (robes a la française) or saved from interior wall hangings and furniture upholstery.


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